15 Binge-Worthy ITV Detective Shows, Ranked
Finding a British detective show to start is easy; choosing one you will still care about six episodes later is harder. This ranking separates ITV’s most rewarding mysteries by mood, so you can pick a gripping cold case, a clever whodunnit or a familiar investigator you would happily spend several evenings with.
ITV has a remarkable range of detective drama. A murder can upend an entire coastal community in Broadchurch, reopen decades of secrets in Unforgotten or provide another unsettling day’s work for DCI Vera Stanhope. At the lighter end, McDonald & Dodds makes an unlikely partnership part of the fun, while Midsomer Murders offers the dependable pleasure of a suspiciously dangerous English village. The shows share a broadcaster, but they do not all ask the same thing of you as a viewer.
For this list, “binge-worthy” does not simply mean fast. A feature-length Inspector Morse mystery takes its time; a season of Karen Pirie invites you to follow one case across several episodes. Both can make you press play again, for different reasons. I have ranked the series by the quality of their investigations, the strength of their central characters and how much I want to return to their worlds.
These are ITV detective dramas, not every detective series temporarily licensed by ITVX. The links below lead to ITVX programme pages checked while preparing this guide, but catalogues and viewing rights can change. Availability outside the UK differs, so confirm the title on your local service before planning a marathon.
You also do not have to start at number one. Want a gentle mystery with a familiar rhythm? Pick an episodic show. Want one question to keep you awake until the finale? Choose a serialised investigation. I will tell you where each series earns its place and what might make you move it higher on your own list.
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15. Professor T
An eccentric consultant can be a tiresome detective-drama shortcut. Professor T works best when it remembers that Jasper Tempest’s insight does not make him easy to work with—or excuse the effect he has on the people around him. Ben Miller plays the Cambridge criminologist, whose former student Lisa Donckers draws him into police investigations that demand a mind willing to look at a case differently.
The weekly puzzles give you a reason to begin another episode, but Jasper’s difficulty with intimacy gives the series its longer thread. He is precise about details and far less assured with people. The contrast can be funny, though the cases and his history sometimes turn darker than a cosy-mystery premise suggests. ITVX’s Professor T page includes content guidance worth checking if you prefer gentler crime television.
I place it fifteenth because the “brilliant but difficult expert” formula is familiar, and some of the personal material needs patience. Miller’s performance keeps Jasper from becoming merely a collection of habits. If you enjoy character quirks alongside a case of the week, there is plenty here to hold your attention.
Who should watch: Viewers who like unusual investigators and academic settings. Where to watch: Professor T on ITVX, subject to UK availability.
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14. McDonald & Dodds
Bath looks so composed in McDonald & Dodds that its murders feel like an affront to the local architecture. Tala Gouveia plays the direct, ambitious DCI Lauren McDonald; Jason Watkins is DS Dodds, whose unassuming manner hides a patient eye for what others miss. Their differences initially create friction, then become the show’s greatest investigative advantage.
The feature-length cases give suspects room to be amusing, evasive and sometimes unexpectedly sad. McDonald pushes; Dodds waits. Watching them learn when to trust the other’s approach is more satisfying than simply guessing the culprit. Watkins is particularly good at making a quiet pause feel like active detective work rather than an actor waiting for his next line.
This is an easy recommendation when you want a British detective series that is clever without being relentlessly grim. The mysteries can be elaborate, and an occasional turn feels designed more for a pleasing reveal than strict plausibility. That is why I rank it below the shows whose emotional consequences stay longer with me. As a companion for an evening, however, McDonald and Dodds are excellent company.
Who should watch: Fans of odd-couple police partnerships and scenic, feature-length mysteries. Where to watch: McDonald & Dodds on ITVX.
13. Ridley
Adrian Dunbar gives Alex Ridley the weary authority you might expect from a retired detective, then lets grief complicate every attempt to treat him as a convenient expert. Ridley has stepped away from regular police work, but his former protégée Carol Farman draws him back to help investigate difficult cases. The result is a show concerned as much with what an investigator carries home as with what can be found at a crime scene.
Its long episodes suit Dunbar. Ridley does not need to sprint after every clue. He listens, notices tensions and revisits assumptions other people have settled on. The relationship with Carol keeps him connected to present-day policing rather than trapping him in a story solely about his past.
The contemplative approach will not suit viewers looking for a rapid succession of twists. Some cases lean heavily on Ridley’s personal sadness, and the programme can feel sombre even when the mystery itself is straightforward. But that is also its particular appeal. It gives you the comfort of a capable investigator while acknowledging that experience does not make loss easier.
I rank it thirteenth for consistency rather than a shortage of atmosphere. On a quiet evening, its pace can feel exactly right.
Who should watch: Viewers who prefer reflective, character-led murder mysteries. Where to watch: Ridley on ITVX.
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12. Lewis
A sequel to Inspector Morse could easily have survived on the Oxford name alone. Lewis finds its own interest in Robbie Lewis, played by Kevin Whately, returning to investigative work with a different outlook from his former mentor. Laurence Fox’s James Hathaway is an intellectually confident new partner, and their contrasting temperaments give the university city another distinctive detective pairing.
The cases use Oxford’s colleges, traditions and old rivalries well. People who insist on their respectability become obvious subjects of suspicion, and Lewis’s practical manner cuts through a fair amount of performance. Hathaway can be exasperatingly knowing, but that gives Lewis someone to challenge rather than another colleague who simply agrees with him.
For binge-watching, the advantage is the balance of continuity and independence. You can follow the partners’ relationship over time without needing to retain the details of every previous murder. The disadvantage is the same feature-length rhythm that characterises this part of ITV crime television: some stories feel a little too comfortable taking the scenic route.
It ranks here because the original Morse and the prequel Endeavour make a deeper mark on me. Still, Lewis is far more than a footnote to either. It is a satisfying Oxford detective drama in its own right.
Who should watch: Viewers who enjoy thoughtful, traditional cases and a partnership that grows gradually. Where to watch: Lewis on ITVX.
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11. The Bay
The best reason to watch The Bay is its interest in what happens between a family and the officer assigned to help them through a crisis. In its first series, Morven Christie plays family liaison officer Lisa Armstrong as the search for missing teenagers unsettles Morecambe. Later investigations bring new people and new family secrets into the town’s police work.
The coastal setting is more than grey skies for the promotional photographs. Morecambe’s openness can make a person’s private trouble feel painfully visible. The family-liaison role also means the detective work has a built-in emotional complication: the officer must earn trust while searching for information people may not want to reveal.
That viewpoint gives The Bay a different feel from a puzzle show where every conversation is mainly about identifying a suspect. It is concerned with the aftermath of a crime as well as the solution. The serialised cases are genuinely easy to keep watching, although some developments rely on the familiar crime-drama habit of hiding a crucial connection until the most dramatic possible moment.
I place it eleventh because stronger shows above it make those revelations feel more inevitable in hindsight. If you want a contemporary ITV crime drama with a pronounced family focus, it remains a good choice.
Who should watch: Fans of coastal mysteries and season-long investigations. Where to watch: The Bay on ITVX.
10. Grace
John Simm makes Brighton detective Roy Grace quietly compelling. He is capable at work, but the unresolved disappearance of his wife remains part of how he sees the world. Alongside DS Glenn Branson, Grace investigates cases adapted from Peter James’s novels, with feature-length episodes that allow for complicated leads and grim discoveries.
A good Grace mystery has the feeling that one small decision has sent several lives in the wrong direction. Grace follows evidence, but the show also understands the appeal of watching a detective decide which person to trust. Simm’s restraint helps; he rarely needs a speech to tell you when a case has reached him personally.
The long format is an advantage if you like to settle into a mystery for a full evening. It is less useful when a plot stretches a question the audience has already solved. The darker cases can also make this a poor choice for someone seeking the comfort of Midsomer Murders, even though both have a dependable episodic structure.
I rank Grace tenth for its solid lead and occasionally excellent tension. It is not the most inventive detective programme on this list, but it knows how to turn a troubling premise into a substantial night’s viewing.
Who should watch: Readers of Peter James and viewers who prefer serious, feature-length cases. Where to watch: Grace on ITVX.
9. Marcella
Anna Friel gives Marcella a forceful, unsettled centre. Her detective Marcella Backland returns to police work as her family life fractures, then finds herself investigating murders while questioning gaps in her own understanding of events. This is not the reassuring kind of crime show where the investigator goes home, makes a cup of tea and wakes up ready for the next case.
The series is bingeable because its uncertainty extends beyond the culprit. Marcella’s state of mind matters, and the show often asks you to judge what she can trust about herself. Friel plays her with enough determination that you remain invested even when the character makes decisions you would rather she did not.
That approach also limits the audience. Some twists and heightened turns feel designed to keep the serialised thriller moving, rather than to build a perfectly measured police procedural. The further you go, the more important it becomes to accept the show’s intense, sometimes extreme tone. ITVX’s programme page flags violence and sexual material.
If Unforgotten is a crime drama about patiently recovering the past, Marcella feels like a fight to remain steady in the present. I prefer the former, but the latter can be difficult to stop watching.
Who should watch: Viewers who want a dark psychological detective thriller. Where to watch: Marcella on ITVX.
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8. Grantchester
A vicar helping a detective solve murders sounds like a premise that might wear thin in a few episodes. Grantchester lasts because the cases are only part of its interest. The friendship between Detective Inspector Geordie Keating, played by Robson Green, and the clergymen who work with him gives the period drama room to ask questions about duty, faith, desire and changing social expectations.
Early episodes pair Geordie with James Norton’s Sidney Chambers. Later series change the clerical lead, allowing the programme to renew its central relationship without abandoning the village and its wider community. That is a useful trick for a long-running drama: you can enjoy a murder investigation and still wonder how the people solving it will change.
The show’s warmth should not be mistaken for a promise of gentle subject matter. Some crimes and personal storylines are painful, and the period setting includes social pressures the characters cannot simply ignore. Yet a recurring sense of friendship makes it more inviting than many equally serious police procedurals.
I place it eighth because individual mysteries vary in strength, while the ongoing character work is the real reason to stay. If you like your British detective shows with a strong community and a little room for personal mess, start with the first series.
Who should watch: Period-drama fans who value friendship alongside a case of the week. Where to watch: Grantchester on ITVX.
7. Inspector Morse
John Thaw’s Morse is not always pleasant company, which makes him much more interesting company. He is clever, proud, fond of opera and capable of missing something obvious while pursuing an elegant theory. Kevin Whately’s Lewis grounds him, turning their partnership into one of British television’s most important detective pairings.
The Oxford setting gives the series a rich supply of institutions, rivalries and people who believe their education places them above suspicion. Its feature-length mysteries ask for attention. They are not generally built around a cliffhanger every ten minutes, and some episodes move at a pace that now feels deliberately leisurely.
That pace is why Inspector Morse sits seventh on a list about binge-worthiness rather than first on a list about influence. I admire the show enormously, but I rarely want to watch four cases without a break. One well-chosen story can be more rewarding than a rushed marathon.
Its larger appeal is how little it flatters its hero. Morse’s intelligence does not free him from vanity or loneliness. Lewis can respect him and still see his faults. The show made space for a television detective who could solve a complicated murder and remain unresolved himself; later ITV series owe it a great deal.
Who should watch: Lovers of classic, patient mysteries and complicated leads. Where to watch: Inspector Morse on ITVX.
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6. Midsomer Murders
I do not come to Midsomer Murders for realism. I come for the strange pleasure of a beautiful English village in which nearly everyone has a secret and the local detective remains impressively calm about another body. The Barnaby investigators and their changing sergeants provide a reassuring centre while the villages, suspects and eccentric motives keep varying the formula.
The series understands a valuable truth about comfort viewing: predictability of shape is not the same as knowing the solution. You can trust that the investigation will take you through a close-knit community, expose long-held resentments and offer plenty of suspicious behaviour. You cannot always tell which apparently pleasant neighbour has the strongest reason to lie.
Its enormous run makes it particularly easy to dip into. You need not begin with the first episode or track every change in the supporting cast. The trade-off is that a long-running formula inevitably produces uneven mysteries, and the tone can turn dark beneath the picturesque exterior.
I rank it sixth because few ITV detective shows are as useful when you simply want another mystery tonight. It may not have the concentrated emotional force of Broadchurch, but I would happily spend more time in Midsomer—provided I never had to attend a village fête there.
Who should watch: Fans of village whodunnits and reliable episodic viewing. Where to watch: Midsomer Murders on ITVX.
5. Karen Pirie
Lauren Lyle’s Karen Pirie has the alert, questioning manner of someone who knows that an old case does not become less important because powerful people have learned to live with its failure. The first series reopens a historic murder after a true-crime podcast renews public interest. Later cases carry the same challenge: to find a truth obscured by time, incomplete evidence and the stories people prefer to tell about themselves.
The past-and-present structure can be familiar in cold-case television, but Karen Pirie gives it energy. Karen does not treat the earlier investigation as a finished document. She asks why particular assumptions were made and whose voices were dismissed. That makes the historical scenes active parts of the mystery, not decorative flashbacks.
Lyle’s performance is a major reason to watch. Karen is sharp without being presented as infallible, and she can push against institutional habits without turning every conversation into a grand speech. The longer case format means this is a show to follow rather than casually sample.
I place it fifth because it offers one of ITV’s most promising modern investigators, even if the established classics above it have more years of memorable work behind them. If you want a recent British cold-case drama with an investigator worth following, begin here.
Who should watch: Viewers who like one intricate investigation per series.
Where to watch: Karen Pirie on ITVX.
4. Agatha Christie’s Poirot
David Suchet’s Hercule Poirot remains a joy to watch when a case seems to contain too many neat explanations. He notices behaviour, tests a story and pays attention to the small error someone else would dismiss. The series moves through mysteries adapted from Agatha Christie, from shorter early investigations to feature-length versions of her better-known novels.
The attraction is not only the solution. The period clothes, trains, hotels and carefully ordered rooms make each case feel like a place you can visit, while Poirot’s precise habits give the show a character as recognisable as any setting. He may appear certain, but Suchet lets you see the moral seriousness behind his delight in solving a puzzle.
The tone changes across a long run. Some episodes are bright, playful whodunnits; others are sadder and more troubling. That variation makes the series unusually good for a mood-led binge. You can choose a compact mystery for a weeknight or settle into a famous case when you have more time.
I place Poirot fourth because the very best serialised investigations below make me feel their consequences more strongly. For elegant detective craft and an iconic central performance, however, this is difficult to surpass.
Who should watch: Christie fans, period-mystery lovers and anyone who wants clues worth noticing. Where to watch: Agatha Christie’s Poirot on ITVX.
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3. Vera
Brenda Blethyn makes DCI Vera Stanhope seem almost careless about how others perceive her. Do not mistake that for carelessness about the case. Vera observes people closely, pursues an inconsistency after everyone else is ready to leave and has a way of making someone feel understood just before asking the question they hoped she would avoid.
Northumberland is inseparable from the show’s appeal. Its coastlines and open land can look beautiful and lonely within the same shot. The feature-length cases use that space to bring a victim’s wider life into view, rather than reducing the person to a body discovered in the opening minutes.
There are many episodes, and inevitably not every mystery is equally clever. Vera’s manner and the investigative team keep the weaker stories watchable. The show also understands that an apparently harsh investigator can be compassionate without suddenly becoming soft-spoken.
I have placed it third because it offers an exceptional combination of atmosphere, longevity and a lead who never needs to announce how formidable she is. If you want one reliable place to start exploring ITV detective drama, it is a strong choice. Just remember that Vera’s apparently casual questions are rarely casual at all.
Who should watch: Fans of substantial cases, memorable detectives and North East landscapes.
2. Unforgotten
A newly discovered body begins an Unforgotten series, but the real story lies in the lives that have grown around an old secret. Detectives Cassie Stuart and Sunny Khan investigate the earlier cases; later, Jess James joins Sunny. Each investigation reaches people who have spent years believing the past was safely buried. The show then asks what happens to their families, careers and sense of self when it is not.
The structure is exceptionally bingeable. Early episodes introduce several apparently separate lives. Small clues gradually alter what you think you know, and the eventual connections tend to feel earned rather than pulled from a hat. Crucially, the people under suspicion remain people. A revelation can change your view of them without erasing the years they have lived since the original crime.
Nicola Walker and Sanjeev Bhaskar establish a partnership built on care and steady work rather than theatrical genius. The later change in lead gives the series a difficult transition, but Sunny’s presence helps hold its identity together. Unforgotten is a police drama about memory, regret and the cost of silence.
I rank it just below Broadchurch because that show’s first investigation has an unusually concentrated impact. Across multiple cases, though, Unforgotten may be ITV’s most consistently absorbing detective binge.
Who should watch: Viewers who want emotionally complex cold cases and season-long mysteries. Where to watch: Unforgotten on ITVX.
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1. Broadchurch
The death of a boy on a Dorset beach sends detectives Ellie Miller and Alec Hardy into a small town where nearly everyone knows the victim’s family—and nearly everyone has something they would rather keep private. Olivia Colman and David Tennant make an uneasy, often funny partnership feel utterly necessary as the investigation spreads through homes, friendships, local journalism and old grievances.
The first series is an extraordinary binge because every new detail changes more than the list of suspects. It changes how neighbours look at one another. Ellie’s closeness to the community is both an asset and a terrible burden; Hardy’s outsider perspective helps him ask questions she struggles to ask. Neither can work effectively without the other.
Broadchurch does not treat the murder as a puzzle detached from grief. The family’s pain is present in ordinary moments, and the town’s beautiful coastline can seem comforting one minute and frighteningly exposed the next. Later series change the shape of the drama, and viewers may disagree about whether they match the first. They remain interested in the consequences of the original case.
That combination—an urgent mystery, two distinctive detectives and a community whose trust breaks in front of you—puts Broadchurch first. It is the ITV detective show most likely to make you promise yourself one episode and discover that the evening has vanished.
Who should watch: Anyone ready for an intense, character-driven British crime drama.
Where to watch: Broadchurch on ITVX.
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Conclusion
The best ITV detective show for tonight depends on what you want the mystery to do. Choose Midsomer Murders for the pleasure of another self-contained village puzzle, Poirot for elegant deductions or Vera for an investigator and landscape you can return to repeatedly. If you want a cold case that grows more affecting with each episode, choose Karen Pirie or Unforgotten.
My number-one choice is Broadchurch because its investigation has consequences for almost every relationship on screen. The clue-hunting is gripping, but the question that keeps you watching is whether this community can live together after the truth. Colman and Tennant make that question feel personal rather than grand.
The common thread through these fifteen shows is that a solution is rarely the whole reward. The best series make you care about the person asking the questions—and about the people who must live with the answers. Which ITV detective drama would you put first?
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FAQs About ITV Detective Shows
What is the best ITV detective show to binge?
Broadchurch is my first choice for a concentrated, suspenseful binge: its first series follows one investigation with compelling leads and real consequences for the surrounding community. If you would rather settle in for several different cases, choose Vera. If you like a fresh cold case each series, Unforgotten is particularly hard to stop watching.
Which ITV detective show is best for a cosy evening?
Try Midsomer Murders if you want picturesque villages, eccentric suspects and a mystery that usually resolves within an episode. Agatha Christie’s Poirot offers another inviting choice, especially for period-drama fans. “Cosy” describes their viewing rhythm, not an absence of murder or upsetting material, so check individual episode guidance if that matters to you.
What should I watch after Broadchurch?
Choose Unforgotten for another emotionally serious investigation that affects many lives, or The Bay for a coastal crime drama with strong family-liaison elements. Karen Pirie is a good choice if you liked following clues across an entire series. None repeats the exact experience of Broadchurch, but all value the people around a crime as much as the eventual answer.
Are Inspector Morse, Lewis and Endeavour connected?
Yes. Inspector Morse follows John Thaw’s detective in Oxford. Lewis continues that television world through Morse’s former partner, played by Kevin Whately. Endeavour is a prequel starring Shaun Evans as a younger Morse. You can begin with any one, although release order lets you see how the character and his legacy developed on television.
Which ITV detective series has the most episodes to watch?
Long-running episodic shows such as Midsomer Murders, Vera, Poirot and the Morse-related dramas provide considerably more viewing than a short serialised mystery. The precise episode selection on ITVX can change. If you want a series you can dip into for weeks without remembering a season-long plot, Midsomer Murders is a particularly easy starting point.
Is Karen Pirie based on books?
Yes. The ITV drama adapts stories featuring Karen Pirie by Scottish crime writer Val McDermid. That literary foundation helps explain the attention paid to old cases, competing memories and the way an investigation changes over time. The television series works without prior reading, and the books are there if you want more of the character afterward.
Which ITV detective shows feature women in the lead?
Vera, Karen Pirie and Marcella place distinctive women at the centre of their investigations. The Bay also begins from the perspective of a female family liaison officer, while Ellie Miller is essential to Broadchurch. They are not interchangeable: Vera’s patient persistence, Karen’s challenge to old assumptions and Marcella’s psychological uncertainty create very different viewing experiences.
Are these ITV shows available on ITVX outside the UK?
ITVX programme pages confirm the UK service’s catalogue when checked, but access is region-dependent and rights may differ internationally. Some series may be available through other broadcasters or subscription services in your country. Follow the programme links in the ranking for UK listings, then check a local legal streaming guide before subscribing or buying a series elsewhere.
Which ITV detective drama is the darkest?
Marcella is a strong candidate if you mean psychological intensity, while Broadchurch deals with the death of a child and its effect on a community. Unforgotten and Karen Pirie often involve painful histories. Content differs by season and episode, so check ITVX guidance if violence, sexual harm or other distressing subjects affect what you choose to watch.
Do I have to watch these detective series in order?
For Broadchurch, Unforgotten, Karen Pirie, Marcella and The Bay, starting with series one is the simplest way to follow relationships and continuing stories. You can sample individual cases from Midsomer Murders, Poirot, Inspector Morse or Vera more freely. Even in episodic shows, watching in order lets you appreciate changes in the investigative team.
For current UK listings and programme details, browse ITVX’s drama catalogue.
More Places to Find Great Movies and TV Shows
If you are hunting for another series, these sites can help you check credits, reviews and viewing options:
IMDb — Film and television information.
Rotten Tomatoes — Critics’ and audience reviews.
Metacritic — Review summaries and scores.
Wikipedia — A starting point for cast and production information.
TV Guide — Listings and entertainment coverage.
Entertainment Weekly — Reviews, interviews and features.
Deadline — Film and television industry news.
The Hollywood Reporter — Entertainment news and analysis.
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