10 Paramount+ Comedies to Watch—And 2 That Have Disappeared
A Comedy Night for Every Mood
Paramount+ can take you from a haunted mansion to a Colorado schoolyard, then leave you parked in a car with two officers who have far too much time to talk. The hard part is not finding a laugh; it is choosing what kind of comedy you want. A warm ensemble sitcom? A strange romance involving an injured dog? A long-running animated satire? Comedy so awkward that you may need to pause and regroup? This ranking gathers those different flavours into one watchlist, ordered from #10 to #1.
The list keeps your ranking exactly as supplied. I weighed each show’s premise, characters, performances, comic consistency, originality and rewatchability, while asking whether its stories still work after the hook has been introduced. That means an old favourite can beat a clever cult title, while a newer series can climb through chemistry and a distinct point of view. These shows are not trying to do the same thing, so I judge them on what they set out to do.
One streaming detail needs a clear note: Paramount+ changes its catalogue by territory and over time, and this guide checks the United States catalogue as of 25 October 2026. Eight shows here currently have a U.S. Paramount+ streaming listing. The Harper House and the 2017 U.S. version of No Activity do not currently appear as streamable there, despite their past ties to the service. They stay in their requested positions, but I will not tell you to press play when the current catalogue says otherwise. UK viewers should check their local app before starting.
The top of the list offers two particularly different anchors. Colin From Accounts is an Australian romantic comedy about two prickly strangers connected by an injured dog; Ghosts is the American sitcom adaptation of a British original, built around a couple, a historic house and its stubborn residents from beyond the grave. Elsewhere, South Park provides a deep library of short satirical episodes, Frasier offers polished farce, and Reno 911! turns a police mockumentary into a parade of bad decisions. There are also family comedies, workplace absurdity and two former service originals worth rediscovering.
Every entry starts with the premise so newcomers can tell what they would be watching. I have avoided major spoilers and explained why each show lands at its exact number. Use the mood notes when you are choosing tonight: gentle and heartfelt, cringe-heavy, animated and outrageous, or unusually dark. If you are planning a longer binge, the strongest shows below give you characters and comic rhythms that keep working after the first joke. Catalogue rights can change, so the article checks current listings instead of treating subscription access as permanent.
If you would also like another streaming option, Try Amazon Prime.
Affiliate disclosure: This article contains Amazon affiliate links. If you sign up or make a qualifying purchase through one of these links, That Love Podcast may earn a commission at no additional cost to you. As an Amazon Associate I earn from qualifying purchases.
#10. The Curse
Asher and Whitney Siegel are a married couple trying to build television careers while launching a home-renovation show in Española, New Mexico. Their programme promises to improve local homes, but the project keeps exposing the distance between their public talk about helping people and how they treat the community around them. Producer Dougie Schechter is ready to turn a messy moment into usable footage, and a supposed curse adds another layer of uncertainty. The story follows the couple as their ambition, money and carefully managed image collide.
Created by Nathan Fielder and Benny Safdie, this 2023 comedy-drama stars Fielder, Emma Stone and Safdie. The jokes often arrive with an uncomfortable pause attached. Asher’s efforts to seem generous can be painful to watch, while Whitney’s socially conscious design ambitions run up against the realities of status and self-interest. That unease is the point: the show uses reality television and philanthropy to ask what happens when good intentions are filtered through a camera crew and a personal brand.
The Curse ranks tenth because its original premise and committed performances are memorable, but its slow-burn discomfort is the least casual fit on a comedy binge. It has more in common with social satire than the warmth of Ghosts or the familiar rhythms of Frasier. Viewers who enjoy cringe comedy and ambiguity may find the tension fascinating; anyone seeking a half-hour reset may find it chilly. Its placement reflects its narrower appeal, not a lack of ambition. It is currently listed on Paramount+ in the U.S., but check your region.
Where to check the U.S. catalogue: The Curse on JustWatch
Need something to listen to after your binge? Discover original romantic audio dramas, comedies and stories from That Love Podcast. Listen to That Love Podcast
#9. No Activity
The 2017 U.S. version of No Activity is set around a major drug investigation, but its cops and criminals spend long stretches waiting for something to happen. The story shifts between two low-level officers stuck together in a car, criminals kept in the dark, dispatch workers who struggle to connect, and tunnelers who find themselves in an awkwardly tight space. The operation is serious; the people assigned to it have an unusual talent for turning dead time into conversations they should probably keep to themselves.
Patrick Brammall and Tim Meadows lead this American remake, with a cast of familiar comic performers giving the quiet setup plenty of character. A new voice on the radio, a visitor or one more confession from a colleague can change the mood of an entire episode. Instead of racing from action scene to action scene, No Activity lets personalities and silence do the work. Its compact locations make each exchange matter, and the slow pace is part of the joke: police work is not nearly as cinematic when everyone is bored.
It sits at #9 because the central idea is funny and the ensemble has space to play, yet the confined format can become repetitive if each conversation does not change the stakes. The shows above it offer broader worlds and more immediately distinctive comic voices. It still beats The Curse for a lighter, talk-driven kind of oddity. This 2017 U.S. version is not currently listed as streaming on Paramount+ in the U.S.
Current U.S. status: No Activity on JustWatch
#8. The Harper House
Debbie Harper loses her job and moves her family from the affluent side of a small Arkansas town to a less fashionable neighbourhood, where they settle into a Victorian house they have inherited. Her husband Freddie and children Todd and Ollie get pulled into Debbie’s determined effort to regain the status she believes she has lost. That move is the show’s comic engine: attempts to look successful run into the house, the neighbours, the family’s own quirks and the awkward fact that confidence is not the same as a workable plan.
This 2021 animated comedy was created by Brad Neely and features Rhea Seehorn as Debbie, with Jason Lee, Ryan Flynn and Tatiana Maslany among the voice cast. Animation lets the show exaggerate its characters and surroundings, while class satire gives the domestic chaos a point beneath the jokes. Debbie is not an uncomplicated hero; her ambition can be selfish, but it also gives her a strong comic drive. Freddie and the children provide contrasting reactions to their new life, so the family does not become one repeated punchline.
The Harper House ranks eighth because its premise is imaginative and its voice cast gives the family a lively shape, but its single season leaves less room for layered character development than Colin From Accounts or Ghosts. It is a good choice for viewers who want an adult animated family sitcom with class satire underneath. Unfortunately, the current U.S. streaming listing shows no streaming offer, despite the show’s Paramount+ origins.
Current U.S. status: The Harper House on JustWatch
If you would also like another streaming option, Explore Amazon Prime.
#7. Reno 911!
Reno 911! follows fictional deputies at the Washoe County Sheriff’s Department as they answer calls, patrol the city and try to keep Reno safe. The catch is that the camera crew films their work in mockumentary style, and the officers are often as distracted, self-important or chaotic as the people they are meant to handle. Lieutenant Jim Dangle leads a team that includes Trudy Wiegel, James Garcia, Clementine Johnson and Raineesha Williams, each bringing a different flavour of incompetence to the same uniform.
The series began in 2003 and was created by Robert Ben Garant, Kerri Kenney-Silver and Thomas Lennon, who also play deputies. Its short episodes are built for quick escalation: a routine call becomes a personal argument, an attempt at professionalism turns into a spectacle, and certainty makes things worse. The mockumentary camera lets the cast build jokes from interviews and awkward glances as well as official business. That loose style gives Reno 911! an elastic rhythm for a casual, one-episode-at-a-time watch.
It earns seventh place because its committed ensemble and compact format make it a reliable source of absurdity, but its crude, sometimes politically incorrect humour is less inviting than the shows above. The joke is the gap between authority and capability, and the series keeps finding new ways to widen it. It stays below the warmer sitcoms because its satire is less interested in emotional change. The U.S. listing includes Paramount+.
Check the listing here: Reno 911! on JustWatch
#6. Everybody Still Hates Chris
Everybody Still Hates Chris reimagines Chris Rock’s autobiographical comedy as animation, returning to the childhood stories of a sharp, awkward teenager in Brooklyn during the 1980s. Chris is the oldest child in a working-class family, with Drew and Tonya as younger siblings and parents Julius and Rochelle trying to keep the household on track. School introduces another set of problems, especially when Chris is bused to a predominantly white school far from his neighbourhood and has to work out where he fits.
The 2024 revival brings back Chris Rock as narrator, with Terry Crews and Tichina Arnold voicing Julius and Rochelle. Animation gives the series room to turn Chris’s perspective into visual jokes, while keeping the friction between a kid’s plans and the grown-up world around him. An adult narrator can look back with perspective even while younger Chris reacts to unfair rules, embarrassing moments and family lectures in real time. That tension gives the show a clear voice.
It ranks sixth because the family dynamic and voice performances give it a strong centre, and the new format offers fresh visual timing. Its challenge is comparison with the original: the live-action sitcom has a distinctive tone, so a revival must do more than replay childhood stories in another medium. It sits above Reno 911! for its stronger emotional base and below The Neighborhood because its ensemble world is still being established. For fans of the original, it is a spirited return rather than a replacement.
Current U.S. listing: Everybody Still Hates Chris on JustWatch
Taking a break from the screen? Listen to original romance, comedy and drama stories from That Love Podcast. Explore the latest episodes
Advertise With That Love Podcast
Want to put your book, entertainment brand, streaming service, product or business in front of readers who love movies, television, books and pop culture? That Love Podcast offers sponsorship and advertising opportunities across the website, podcast and newsletter. Learn more about advertising
You May Also Like
Keep your comedy queue moving with these sitcom rankings and streaming picks.
10 Best Sitcoms Like Community
10 Best Sitcoms Like The Good Place
10 Best Sitcoms Like Parks and Recreation
10 Best Sitcoms Like Superstore
10 Best Sitcoms Like Modern Family
10 Best Sitcoms Like The Big Bang Theory
#5. The Neighborhood
Dave and Gemma Johnson move with their son from the Midwest to Pasadena, where their upbeat approach to neighbourhood life is not immediately welcomed by next-door neighbour Calvin Butler. Calvin is a local business owner who values his block and is suspicious of Dave’s enthusiastic attempts to make friends. Their wives, Gemma and Tina, develop a connection of their own, while Calvin and Dave’s sons add ambitions and arguments to the family mix. The show follows two households learning to share a street without assuming they already understand one another.
Cedric the Entertainer plays Calvin, Max Greenfield plays Dave, and Tichina Arnold and Beth Behrs complete the central household dynamic as Tina and Gemma. The familiar multi-camera setup helps the show move quickly, but its heart is watching two men with opposite instincts become important parts of each other’s lives. Dave’s sunny persistence can be a lot; Calvin’s guarded bluntness can be a lot too. Their contrast supplies jokes, while the wider cast brings family and community stories into the mix.
The Neighborhood reaches fifth place because its central pairing is dependable and the premise supports quick jokes and longer stories about trust, family and belonging. It is less adventurous than South Park and does not have Frasier’s finely constructed farce, but its warmth makes it an easy comfort watch. It ranks above Everybody Still Hates Chris because it has had more time to build recurring relationships. For viewers who want a traditional sitcom with a steady ensemble, it is one of the clearest options on Paramount+ in the U.S.
Streaming information: The Neighborhood on JustWatch
#4. South Park
South Park follows school friends Stan Marsh, Kyle Broflovski, Eric Cartman and Kenny McCormick in a Colorado town where an ordinary day can become a debate about politics, celebrity, religion, technology or whatever else has caught the creators’ attention. The boys give the series a consistent point of view, but adults, officials and visitors are just as likely to become targets of the week’s joke. Stories often start with a familiar social argument and push it into a ridiculous, deliberately provocative direction.
Trey Parker and Matt Stone created the animated comedy, which began in 1997 and has built a huge episode library. Its rough visual style is part of its identity: it helps the show turn around topical subjects quickly and makes its world feel like a paper-cut-out town that refuses to grow up. The best episodes can be absurd, sharply constructed and good at spotting contradictions inside a public argument. Parker and Stone voice many characters, including Stan and Cartman.
South Park claims fourth place because its comic range and rewatchability are enormous, but its topical jokes can age unevenly and its provocative tone is not for everyone. It sits below The Neighborhood because that sitcom’s ensemble is consistently more inviting, while South Park can swing from brilliant to abrasive depending on the subject. It beats the shows beneath it on scale, pace and instant recognisability. If you want irreverent animation with a deep episode pool, it is a major draw; viewers who prefer a softer tone should pick another entry.
Verify the U.S. listing and episode catalogue: South Park on JustWatch
#3. Frasier
After years in Boston, psychiatrist Frasier Crane moves to Seattle to host a radio advice show and begin another chapter of his life. His plans get complicated when his father Martin moves in after being injured in the line of duty. Frasier’s brother Niles, a fellow psychiatrist with similarly refined tastes, adds competition and overthinking. Daphne Moon helps care for Martin, and Roz Doyle produces Frasier’s radio programme. The home and station become dependable stages for misunderstandings, snobbery and family affection.
Kelsey Grammer anchors the 1993 sitcom with polished delivery, but the comic engine works because the ensemble is in sync. David Hyde Pierce makes Niles’ anxieties and sibling rivalry precise; John Mahoney gives Martin a dry, grounded counterpoint; Jane Leeves and Peri Gilpin keep Daphne and Roz from becoming mere foils. A small social slight can become an elaborate scheme, and the scheme can collapse because everyone is too proud to say the obvious. The result is dialogue-led comedy with unusually durable timing.
Frasier ranks third because its performances, farce and carefully placed lines make it one of the most rewatchable sitcoms here. It is more controlled than South Park, but it lacks the intimate romantic surprise of Colin From Accounts and ensemble warmth of Ghosts. Its strength is craftsmanship: jokes set up earlier can pay off in a look or one line, while family relationships stop the cleverness from turning cold. Paramount+ carries the original eleven-season series in the U.S.; the newer revival is a separate show.
Paramount+’s official page for the original sitcom: Frasier on Paramount+
If you would also like another streaming option, Watch More With Amazon Prime.
#2. Colin From Accounts
Ashley and Gordon are two single-ish adults in Sydney whose lives become entangled after Gordon hits a stray dog with his car and Ashley’s impulsive action helps cause the accident. They take responsibility for the injured animal and name him Colin From Accounts, a label more memorable than elegant. Their shared care for Colin brings them together, but their relationship is not a neat romantic fantasy. Both characters carry family complications and a talent for making simple moments more complicated than they need to be.
Harriet Dyer and Patrick Brammall created the series and play Ashley and Gordon, giving the couple a lived-in comic rhythm. Each can be funny, defensive and unexpectedly vulnerable in the same exchange. Colin is the story’s catalyst, not a magical cure for the adults’ problems; the show is interested in how two flawed people decide whether they can keep choosing each other. Season three continues their messy relationship and is currently listed on Paramount+ in the U.S.
Colin From Accounts takes second place because the premise turns a ridiculous accident into a believable romantic-comedy structure, then lets imperfect characters carry the humour. Its wit is more awkward and adult than Ghosts’ warmth, and the performances make the relationship feel real rather than a checklist of rom-com beats. It falls short of #1 because the story world is narrower: most of its emotional focus rests on Ashley and Gordon, while Ghosts has a larger ensemble and more comic engines. For romance with bite and heart, this is the strongest alternative.
Official U.S. listing: Colin From Accounts on Paramount+. Availability check: JustWatch U.S..
Before we reveal our No. 1 pick… You can also discover original romantic audio dramas from That Love Podcast. Listen here
#1. Ghosts
Samantha and Jay Arondekar buy a country estate they hope to turn into a bed-and-breakfast, only to discover it is already occupied by spirits from different periods. After an accident lets Sam see and hear them, she has to balance her plans with her husband against the needs of ghosts who cannot simply move out. Jay cannot see the residents, giving the couple an ongoing communication problem, and Woodstone Mansion’s business plans rarely unfold as neatly as they imagine. The supernatural premise gives characters from wildly different eras a reason to share scenes.
Rose McIver and Utkarsh Ambudkar lead the American adaptation of the British series, with an ensemble that includes Isaac, Alberta, Pete, Hetty, Flower, Thorfinn and Sasappis. A practical problem—renovating a room, hosting guests, running the inn—can become a clash of centuries-old personalities. The ghosts are ridiculous, but the show gradually lets their histories and attachments matter. That balance keeps the comedy from becoming a line-up of costumes or catchphrases and makes the house feel like a community rather than a gimmick.
Ghosts takes #1 because it combines this list’s strongest ingredients more evenly than any competitor. Colin From Accounts has the tighter romance and Frasier the more exact dialogue, but Ghosts brings a clear story engine, a generous ensemble, expressive performances, physical comedy and emotional payoff into an easy-to-binge package. The mansion generates self-contained mishaps and long-running relationships, making it especially rewatchable. That balance is why it beats the two strongest titles directly below it.
Paramount+’s official series page: Ghosts on Paramount+. U.S. listing: JustWatch.
Work With That Love Podcast
If you are a brand, author, publisher, entertainment company or business looking to connect with readers who love movies, television, books and pop culture, we would love to hear from you. Discover sponsorship and advertising opportunities: Work with us.
Final Thoughts
These ten shows reveal how many shapes a comedy binge can take. The Curse and No Activity make silence and discomfort do the work; The Harper House and Everybody Still Hates Chris use animation to exaggerate family life; Reno 911! finds chaos in the gap between authority and ability. The Neighborhood turns neighbours into an unlikely family, South Park sends satire into the schoolyard, and Frasier makes pride and language fuel farce. Colin From Accounts keeps romance funny by leaving its characters imperfect, while Ghosts finds a warm ensemble in a house no one can quite leave.
The top three suit different evenings. Choose Frasier for precise dialogue and classic timing, Colin From Accounts for adult relationship comedy, and Ghosts for a blend of silly situations, character chemistry and emotional warmth. South Park is the pick for fast, irreverent animation; Reno 911! is for mockumentary absurdity. Two entries, The Harper House and No Activity, currently have no U.S. Paramount+ streaming offer, so check before searching the app. Rights move, and availability can change even when the shows themselves stay the same.
Ghosts wins because it combines a premise that can keep producing stories, performers who make a large cast feel distinct, jokes that work across moods and a little feeling beneath the nonsense. It may not be the most daring or tightly written title here, but it best balances comedy, character, rewatch value and watchability. Which show would you rank first? Share your own order, tell us what we missed, or say which one you would put on tonight.
You May Also Like
If you are ready to add another sitcom or comfort comedy to the queue, these recommendations are a good next stop.
10 Binge-Worthy HBO Max Sitcoms You Won’t Be Able to Stop Watching
10 Binge-Worthy Disney+ Sitcoms You Won’t Be Able to Stop Watching
10 Binge-Worthy Prime Video Sitcoms You Won’t Be Able to Stop Watching
10 Best New Netflix Comedy Series of 2026, Ranked So Far
Support That Love Podcast
If you enjoyed this article and want to support independent entertainment coverage and original audio storytelling, donate to That Love Podcast. Looking for something new to listen to? Listen to That Love Podcast.
You May Also Like
For more comedy moments and character guides, explore these related articles.
10 Funniest Ted Lasso Moments, Ranked
Ted Lasso Season 1 Review: The Feel-Good Comedy That Built Its Own Team
10 Near-Perfect Romantic Comedy Shows
10 Binge-Worthy HBO Comedy Series to Watch This Weekend
12 Best Fall Episodes of Your Favourite TV Shows, Ranked
If you would also like another streaming option, Explore This Amazon Offer.
Frequently Asked Questions
What is the best comedy show on Paramount+?
Ghosts is the strongest all-round choice in this ranking. Its haunted-house premise creates clear episode stories, while the ensemble gives the comedy room to grow. The U.S. version is currently listed on Paramount+. If you want a sharper relationship comedy, try Colin From Accounts; for classic dialogue and farce, Frasier is a better starting point. Your ideal choice depends on whether you want warmth, awkward romance or a traditional sitcom rhythm.
Is Ghosts on Paramount+?
The U.S. version of Ghosts is listed on Paramount+ in the United States, and the service’s official page identifies the CBS comedy. Availability differs by region, and the British original is a separate series with its own catalogue listings. If you are watching outside the U.S., search your local Paramount+ app before relying on an American streaming guide.
Is Colin From Accounts Season 3 on Paramount+?
Yes. As checked on 25 October 2026, the U.S. Paramount+ listing includes Colin From Accounts and its third season. In the UK, the current listing differs, so do not assume the same service carries every season in every country. JustWatch’s U.S. page and Paramount+’s official series page are good places to confirm the latest offer.
Why is The Harper House not on Paramount+?
The Harper House was released as a Paramount+ original, but the current U.S. JustWatch listing shows no streaming option. Rights and platform libraries change, so an original can disappear from a service while it remains associated with that brand. This ranking keeps the show at the requested number eight position and marks its present unavailability.
Can I stream No Activity on Paramount+?
The 2017 U.S. version of No Activity does not currently have a U.S. streaming listing on Paramount+ according to the check for this article. It can be confused with the earlier Australian series, which is a different production. Search by year and version if you are looking to buy it or locate it through another service.
Is Frasier on Paramount+ the original or the revival?
This entry refers to the original Frasier, which premiered in 1993 and ran for eleven seasons. Paramount+ also carries the 2023 revival, so check the year when choosing. The original follows Frasier Crane in Seattle as he hosts a radio advice show and shares a home with his father Martin, brother Niles and caregiver Daphne.
Is South Park suitable for children?
South Park is an adult animated satire, not a children’s cartoon. It uses profanity, crude humour, topical politics and deliberately provocative material, and it carries a TV-MA rating in the U.S. catalogue. Parents should check the rating and episode details before viewing with younger audiences. Its animation may look simple, but the themes and jokes are aimed at adults.
What should I watch after Ghosts?
If you like Ghosts for its relationships and warmth beneath the jokes, Colin From Accounts is a strong next pick, though its romance and humour are more adult and awkward. For a classic ensemble sitcom, try Frasier. If you most enjoy the paranormal element, look for supernatural comedy; if it is cast chemistry you love, a neighbour or workplace sitcom may be closer than another ghost story.
Is Reno 911! scripted?
Reno 911! is a mockumentary comedy built around recurring characters and situations, not an actual documentary about a real police department. The camera crew’s presence is part of the joke: interviews and on-the-job footage make the deputies look increasingly unprepared. The cast’s loose, improvisational feel sells the format, but its fictional setting and comic premise are central to the series.
Why are some titles on this list unavailable?
Streaming rights are temporary and vary by country. The Harper House and the 2017 U.S. No Activity currently have no U.S. streaming offer on Paramount+ in the check used for this article, while the other eight entries are listed there. The ranking keeps the requested titles and order, and labels those two gaps so readers can decide whether to wait or search elsewhere.
More Places to Find Great Movies and TV Shows
For cast and episode details, explore IMDb. For reviews and audience scores, see Rotten Tomatoes. TV Guide offers listings and viewing recommendations, while Deadline and The Hollywood Reporter cover television news and the entertainment industry.
Enjoyed What You Read?
Subscribe to That Love Podcast’s newsletter for the latest articles, entertainment recommendations, podcast updates and exclusive giveaways. If you know someone who loves movies, television, books or pop culture, share the article with them too. Let’s spread the love together!
If you would also like another streaming option, Try Amazon Prime.
