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7 Movies to Watch If You Love Project Hail Mary

5 hours ago
19 min read

Why Project Hail Mary Fans Should Look Beyond the Stars


You have just watched Project Hail Mary and now ordinary life feels oddly Earthbound. You want another movie with a spacecraft, a clever problem to solve, or the kind of cosmic wonder that makes you stare at the ceiling afterwards. The good news is that the best movies to watch after Project Hail Mary do not all try to copy its mix of humour, science and unexpected friendship.


Some are tight survival thrillers where one person’s ingenuity has to keep a bad situation from becoming a fatal one. Others stretch across galaxies, ask how humans might communicate with an alien intelligence, or turn a real space mission into a nerve-racking story about teamwork. A few are more interested in loneliness than laboratory scenes. That variety is a strength: there is a different space movie for every part of the feeling Project Hail Mary leaves behind.


This ranking follows your list exactly. Ad Astra starts the countdown at No. 7, and The Martian takes the top spot because it is the closest match for the practical, resourceful pleasure of watching a smart person meet one impossible obstacle after another. Along the way, you will find films about first contact, space exploration, astronaut survival, family, grief and the fine art of not panicking when the control panel starts blinking.

Image showing Project Hail Mary, accompanying the section on Why Project Hail Mary Fans Should Look Beyond the Stars.

These are spoiler-light recommendations. I will explain the premise and the reason each film belongs here without unpacking the twists that make several of them work. The notes on where to watch focus on the UK and link to live listings checked on 2 October 2026; streaming rights can change, so use the listing before you settle in. If you are searching for movies like Project Hail Mary, realistic space films, smart science fiction or a hopeful space adventure, this is a good place to start.


For a wider trip through the genre, browse That Love Podcast’s [Top 20 Greatest Sci-Fi Movies of All Time](internal). It is a useful next stop if one new movie has turned your watchlist into a small mission-control board. Let’s get into it 👇


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Loved the big ideas, science and survival at the heart of Project Hail Mary? These sci-fi movies and series deliver more ambitious worlds, impossible missions and mind-bending adventures.



7. Ad Astra (2019)

Image showing Ad Astra (2019), accompanying the section on 7. Ad Astra (2019).

Ad Astra is the choice for the Project Hail Mary viewer who wants the journey to feel lonelier, quieter and more inward-looking. James Gray’s 2019 science-fiction drama follows astronaut Roy McBride, played by Brad Pitt, as he travels through the Solar System after a mysterious energy event threatens Earth. His mission is connected to a long-missing expedition led by his father, Clifford (Tommy Lee Jones), so the outward voyage becomes a difficult reckoning with family and emotional distance. The film moves from Earth to the Moon, Mars and beyond, but it is less interested in space as a playground than as a vast place where old wounds have nowhere to hide.


That change in emphasis is exactly why it sits seventh here. Project Hail Mary makes science and collaboration feel energising; Ad Astra often makes the silence feel heavy. Roy is controlled to the point of seeming sealed off, and Pitt’s restrained performance turns that emotional reserve into the film’s central texture. The sleek visual design, careful sound and slow pacing give the trip a hypnotic quality. If you want a brisk puzzle-box adventure, this may feel too meditative. If you like character-driven science fiction, atmospheric space travel and films that use a mission as a metaphor for a personal journey, it can be absorbing.


The movie’s strongest moments come when the epic scale and Roy’s private life rub against each other. A lunar stop feels less like a tourist visit than another reminder that human beings carry their conflicts with them, even when the landscape has no air. Its vision of commercialised space is also a striking contrast to the earnest public-service spirit of Apollo 13 or the practical cooperation of The Martian. Ad Astra is not always interested in explaining every detail of its universe, and that ambiguity will frustrate some viewers. I find its willingness to let silence do some of the work one of its more memorable qualities.


This is a good pick after Project Hail Mary if what stayed with you was the image of one person facing the enormous dark. It is also the best fit here for a slow, reflective movie night rather than a fun group watch. The official [20th Century Studios page for Ad Astra](external) provides the studio synopsis, while the live UK listing shows current digital options rather than a subscription stream at the time checked. Where to watch: check the current UK rental and purchase options on [JustWatch](watch).


6. Sunshine (2007)

Image showing Sunshine (2007), accompanying the section on 6. Sunshine (2007).

Sunshine begins with a premise that sounds almost comfortingly straightforward: the Sun is dying, and a small crew is sent on a dangerous mission to restart it. Then Danny Boyle makes the silence, heat and strain of deep space feel like an accumulating pressure system. The film stars Cillian Murphy as physicist Robert Capa, alongside a strong ensemble that includes Rose Byrne, Chris Evans, Michelle Yeoh, Cliff Curtis and Hiroyuki Sanada. The crew aboard Icarus II must make high-stakes decisions while travelling towards the star that sustains life on Earth. The job is spectacularly simple to describe and terrifyingly difficult to carry out.


What Project Hail Mary fans may enjoy is the way Sunshine turns science into suspense. The crew’s decisions have practical consequences, and the ship itself feels like a workplace where fatigue, disagreement and technical failure can quickly become existential problems. Boyle’s imagery is vivid without making the humans disappear inside the spectacle. The bright, almost painful sunlight and the ship’s shadowed interiors create a constant visual tension between the source of life and the danger of getting close to it. The soundtrack, by John Murphy and Underworld, adds a driving pulse that makes the mission feel as if it is gathering speed even in quiet scenes.


Sunshine is a tonal gamble, and that is its most divisive feature. It shifts from hard-edged space mission drama towards a much more intense psychological and horror register. I think the change makes it less even than the best films on this list, but the first two-thirds are gripping, and the performances keep the crew’s human conflicts in focus. This is not a sunny comfort-watch despite its title; you may want something warmer afterwards. Its value in this lineup is that it explores the catastrophic stakes of stellar science from a different angle, with a crew whose relationships are tested by the mission.


If your favourite part of Project Hail Mary was the race to understand an astronomical threat, Sunshine is a bold companion piece. If it was the warmth of Grace and Rocky learning to work together, prepare for a much more severe atmosphere. For viewers curious about cosmic-disaster movies, ambitious cinematography and science-fiction that drifts into space horror, this is an essential 2000s sci-fi film. UK availability checked on 2 October 2026: Sunshine is streaming on Disney+ and has digital rental and purchase options. Confirm the current listing at [JustWatch UK](watch).


🎧 A space-film pause: listen to That Love Podcast


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5. Apollo 13 (1995)

Image showing Apollo 13 (1995), accompanying the section on 5. Apollo 13 (1995).

Apollo 13 is the reminder that a real-world space mission can supply more suspense than any invented alien threat. Ron Howard’s 1995 historical drama follows the crew of the Apollo 13 mission after an onboard explosion forces NASA to abandon its planned Moon landing and concentrate on getting the astronauts home safely. Tom Hanks plays mission commander Jim Lovell, with Kevin Bacon as Jack Swigert and Bill Paxton as Fred Haise. On Earth, flight director Gene Kranz (Ed Harris) and a room full of specialists work through one practical problem after another, often with limited time and imperfect information.


That setup makes the film a natural recommendation for anyone who likes the methodical, collaborative side of Project Hail Mary. The drama is built from small details: a piece of equipment, a calculation, a workaround, a conversation between the spacecraft and mission control. Howard understands that competence can be cinematic. The scenes in Mission Control have motion and pressure without needing to turn every character into a speech-making hero. The film gives us several distinct forms of problem-solving, from the astronauts working inside the cramped spacecraft to engineers on Earth testing improvised solutions.


Apollo 13 also has a different emotional shape from most space-survival movies. It is an ensemble film about people doing their jobs well under terrible circumstances, and its central pleasure is watching knowledge become cooperation. Hanks makes Lovell steady and likeable, while Harris gives Kranz a precise, disciplined presence that anchors the ground team. The film does compress and reshape aspects of the historical record for drama, so it is best approached as a cinematic retelling rather than a documentary. NASA’s Apollo 13 mission history is a helpful companion if you want to learn more about the real flight after watching.


There is no alien friendship here, no far-future technology and no lonely hero inventing every solution alone. Instead, the movie makes the idea of a team thinking clearly under pressure feel thrilling. It ranks fifth because it lacks the speculative wonder and intimacy of the films above it, but for a space movie about survival, mission control, teamwork and engineering ingenuity, it is nearly impossible to beat. It is also one of the best space films to share with someone who usually says they are not a science-fiction fan. Where to watch in the UK: Apollo 13 is on Netflix as of 2 October 2026, with rental and purchase options on digital stores; [check JustWatch](watch) before playing.


You’ll also love: science-fiction comedies


Project Hail Mary balances smart ideas with a light touch, and a little humour can make an enormous space premise feel close to home. For another genre-mixing detour, That Love Podcast has a roundup of [8 Sci-Fi Comedies That Redefined the Genre in the Last Decade](internal).


4. Arrival (2016)

Image showing Arrival (2016), accompanying the section on 4. Arrival (2016).

Arrival is the film to choose when what you loved about Project Hail Mary was not only space travel but the idea of making a connection across an enormous difference. Denis Villeneuve’s 2016 science-fiction drama begins when mysterious spacecraft appear at several locations around Earth. Amy Adams plays Louise Banks, a linguist recruited to communicate with the visitors, while Jeremy Renner plays physicist Ian Donnelly and Forest Whitaker plays Colonel Weber, who coordinates the military response. The immediate task is to understand what the visitors want before fear and political pressure turn uncertainty into conflict.


The film is patient, atmospheric and intensely curious about language. Instead of treating first contact as an excuse for a battle, it makes listening and interpretation the main action. Louise’s work is not a quick puzzle with a neat answer; it is a process of building trust, testing assumptions and trying to understand the rules of another mind. Adams gives the character intelligence without turning her into an infallible decoder. Her openness is a skill, and the film is smart enough to make that skill feel both vulnerable and powerful.


This is a more contemplative science-fiction movie than The Martian, and the suspense comes from the limits of what the characters know. Villeneuve and cinematographer Bradford Young create a muted, misty visual world that makes the alien craft feel genuinely unfamiliar. The sound design and Jóhann Jóhannsson’s score add unease without constant noise. The story has an emotional architecture that rewards a second viewing, but it is better to go in knowing as little as possible. I would not recommend reading a plot breakdown beforehand; let the film control when its pieces fall into place.


Arrival ranks fourth because it is one of the most thoughtful movies about alien contact and communication, though it gives less time to the hands-on engineering and comic rhythm that make Project Hail Mary such an easy crowd-pleaser. It is ideal if you want a cerebral, moving story about language, memory, cooperation and our first response to the unknown. Paramount’s [official Arrival page](external) confirms the film’s creative details. For current UK streaming and rental options, including the distinction between subscription and paid viewing, open the [JustWatch listing for Arrival (2016)](watch).


🎧 Taking a break from the screen?


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Midway through: science-fiction audio stories


If the film has you in the mood for more imagined worlds but your eyes need a rest, explore That Love Podcast’s [Six Best Sci-Fi Audio Dramas to Transport You to Other Worlds](internal). It is a different way to enjoy speculative storytelling, built around voices and sound rather than star fields and spacecraft. The post sits naturally beside a list of movies about space exploration and first contact, and it gives you a next listen without asking you to start another screen marathon.


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3. Gravity (2013)

Image showing Gravity (2013), accompanying the section on 3. Gravity (2013).

Gravity is an exceptionally efficient survival thriller. At just over 90 minutes, Alfonso Cuarón’s film takes Dr. Ryan Stone (Sandra Bullock), an engineer on her first space mission, and veteran astronaut Matt Kowalski (George Clooney) into a disaster that leaves them trying to navigate the orbiting wreckage around Earth. A chain reaction of debris destroys their shuttle and cuts off the support systems they depend on. The story follows their increasingly difficult attempt to reach safety, with the planet visible below and the vacuum of space all around them.


Where Project Hail Mary builds momentum through curiosity and repeated experiments, Gravity makes motion itself the source of tension. Cuarón’s long, fluid camera movements place you beside Stone, where every rotation or drifting object seems to alter the entire map of the scene. Emmanuel Lubezki’s cinematography turns Earth into a gorgeous, almost painfully distant home. The image is not just a visual effect to admire; it becomes part of the emotional story. You can see the place Stone wants to return to, and you can feel how far away it is.


Bullock carries the movie with a performance that begins in shock and fear and gradually finds determination. Clooney’s Kowalski brings warmth and ease, giving the early scenes an appealing conversational rhythm. Once the crisis deepens, the film strips away nearly everything except the need to keep moving and make the next decision. This is not a film that pauses for extensive world-building or technical explanation. It is an immersive space survival movie with a clear, physical objective, and its brevity is a real advantage when compared with longer space epics.


Gravity ranks third because its craft and suspense are extraordinary, but its stripped-down structure gives it less room for the scientific banter, ensemble dynamics and hopeful discovery that make the top two especially satisfying Project Hail Mary follow-ups. It is the best pick if you want visceral astronaut survival, breathtaking cinematography and an edge-of-your-seat movie night. Be aware that it is tense, not cosy. As of 2 October 2026, UK viewers can stream Gravity through HBO Max and selected UK services including Sky Go and NOW TV Cinema; digital rental and purchase options are also listed. Check [JustWatch UK](watch) for the current provider details.


2. Interstellar (2014)

Promotional artwork for Interstellar (2014).

Interstellar is the grand, emotional space epic for viewers who want Project Hail Mary’s cosmic stakes expanded to almost impossible scale. Directed by Christopher Nolan, it stars Matthew McConaughey as former pilot Joseph Cooper, who leaves an increasingly unliveable Earth to join a mission searching for a new home for humanity. Anne Hathaway plays scientist Amelia Brand, with Jessica Chastain, Michael Caine, Casey Affleck and a deep supporting cast grounding the story in the families and teams affected by the mission. Its scientific ideas include wormholes, relativity and time dilation, but its emotional engine is a parent’s promise to return to a child.


Nolan’s film is big, serious and unafraid of feeling enormous. The spacecraft Endurance and the worlds the crew visit have a tactile, practical quality that makes the scale easier to believe. Hans Zimmer’s organ-heavy score gives the journey a sense of awe, while the cutting between Earth and deep space keeps the human cost visible. The movie asks you to think about physics, survival, sacrifice and the way time can change a family. It has a lot to say, and it does not whisper. For some viewers, that emotional directness is moving; for others, the film’s earnestness and length may feel heavy.


Its best connection to Project Hail Mary is the way it places scientific exploration beside the bonds that make the mission matter. Interstellar is not a comedy, and it is not as focused on a lone scientist improvising a fix every few minutes. Instead, it gives you a layered ensemble, large-scale exploration and a story where the fate of humanity is inseparable from private relationships. It also rewards conversation: after watching, you may find yourself debating the science, the choices, the ending and which character had the hardest assignment.


I rank it second because it is one of the most ambitious space movies of the 21st century, but The Martian is a more direct match for the readable, hands-on problem-solving and buoyant rewatchability of Project Hail Mary. Interstellar is the right choice if you want emotional science fiction, spectacular imagery, a complex mission and a movie that keeps opening questions after the credits. UK streaming checked on 2 October 2026: the film is listed on Prime Video, HBO Max and NOW TV Cinema, with rentals and purchases through digital stores. See the live [JustWatch UK page](watch) before watching.


Before the final pick


🎧 Before we reveal our No. 1 pick, you can also discover original romantic audio dramas from That Love Podcast.



1. The Martian (2015)

Image showing The Martian (2015), accompanying the section on 1. The Martian (2015).

The Martian takes the top spot because it is the clearest, most rewatchable companion for anyone searching for movies like Project Hail Mary. Ridley Scott’s 2015 adaptation of Andy Weir’s novel stars Matt Damon as astronaut Mark Watney, who is left stranded on Mars after his crewmates believe a storm has killed him. With limited supplies, a dangerous environment and no easy way to contact Earth, Watney has to use botany, engineering, patience and a very dry sense of humour to stay alive. Back on Earth, NASA and the crew work to find a way to bring him home.


The pleasure is not simply that Watney is clever; it is that the film lets us watch him make cleverness practical. He identifies a problem, works with whatever materials are available, calculates what might happen and tries again when the first plan falls apart. That clear rhythm gives the movie a satisfying structure. Each success is modest enough to feel earned, and each setback introduces a fresh practical question. The science never becomes a lecture because it is tied to immediate needs: food, water, shelter, communication and the chance of rescue.


Damon makes Watney funny without making him a superhero. The humour is part of how the character manages fear and isolation, not proof that nothing is bothering him. Around him, the ensemble gives the Earthbound effort real weight: Jessica Chastain leads the Mars crew, while Chiwetel Ejiofor, Jeff Daniels, Kristen Wiig, Sean Bean, Benedict Wong and others help create a busy, contrasting NASA community. The movie understands that an astronaut can be alone on Mars and still depend on an enormous team. That mix of solitary ingenuity and shared responsibility is the strongest bridge to Project Hail Mary.


The Martian also has the easiest balance of tension and optimism among these seven. It treats survival as difficult but not hopeless, and it trusts science as a human activity: people learn, argue, check their maths and make better plans together. The film is brisk enough for a weeknight, yet its generous ensemble and memorable set pieces reward a repeat viewing. If you are looking for hard science fiction that is accessible to newcomers, an astronaut movie with humour, or a genuinely uplifting space adventure, this is the safest recommendation on the list.


It earns No. 1 because it combines a strong central performance, a precise survival structure, grounded science, teamwork and a warmly funny tone. Interstellar is more cosmic, Gravity is more immersive, and Arrival is more philosophical; The Martian is the one that most closely recreates the pleasure of watching a capable person solve the next problem in front of them. That is a big part of why Project Hail Mary works, and it is why this remains the best movie to watch if you love it. 20th Century Studios has the [official film page for The Martian](external), and UK listings checked on 2 October 2026 show it streaming on Prime Video, Apple TV and Disney+, as well as digital rental and purchase. Confirm the current options at [JustWatch UK](watch).


What should you watch after Project Hail Mary?


The best follow-up depends on which part of Project Hail Mary you want to revisit. Choose The Martian for a clever, practical survival story. Put on Interstellar for a larger mission and a stronger dose of family drama. Arrival is the thoughtful pick for viewers interested in communication and first contact, while Gravity gives you immediate physical suspense. Apollo 13 is the teamwork recommendation; Sunshine is the darker solar-catastrophe option; Ad Astra is for a quieter, more introspective trip.


Together, the seven films show how flexible a space movie can be. Space can be a workplace, a wilderness, a test of communication, a source of wonder or a blank canvas for grief. Project Hail Mary brings those pleasures together with unusual warmth, but no single film has to reproduce its exact recipe. A good watchlist gives you several tones to choose from, so your next pick can match the mood you actually have tonight.


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Conclusion: the best movie to watch after Project Hail Mary


The strongest movies to watch after Project Hail Mary share a curiosity about what people do when the universe refuses to cooperate. Ad Astra turns that question inward; Sunshine makes the Sun a source of dread; Apollo 13 celebrates real teamwork; Arrival puts patient communication at the centre; Gravity makes survival feel immediate; and Interstellar expands the journey into a huge family epic.


My first recommendation is The Martian, because its grounded science, problem-solving and warm humour are the closest match for the pleasure of Project Hail Mary. If you want spectacle, choose Interstellar. If you want an emotional first-contact story, watch Arrival. There is no wrong order for a space-movie marathon, as long as you keep snacks nearby and give yourself time to recover from the occasional existential thought. Which one would you rank first, and which space film should we add to the list? Share your picks with us.


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Frequently Asked Questions About Movies Like Project Hail Mary


What is the best movie to watch after Project Hail Mary?


The Martian is the best all-round follow-up because it shares Project Hail Mary’s interest in science-led problem-solving, astronaut survival and humour under pressure. If you want a bigger, more emotional space epic, try Interstellar. For a more reflective first-contact story, Arrival is an excellent choice.


Which movie on this list is most similar to Project Hail Mary?


The Martian is the closest match in structure and tone: a capable scientist faces a life-threatening problem in space and works through practical solutions one at a time. It is based on another Andy Weir novel, though its story and characters are separate from Project Hail Mary.


Are there other movies like The Martian and Project Hail Mary?


Yes. Interstellar, Gravity, Apollo 13, Sunshine, Arrival and Ad Astra all offer a different kind of space adventure. For realistic survival and mission teamwork, start with Apollo 13. For hopeful science fiction, choose The Martian. For an alien-contact story, watch Arrival.


What is the best realistic space movie on this list?


Apollo 13 is the strongest choice for a real mission and technical crisis, although it is a dramatised historical film. The Martian also grounds its story in scientific problem-solving, while still adapting a fictional novel. The other movies include more speculative or stylised science-fiction ideas.


Which film has the best first-contact story?


Arrival is the clear first-contact recommendation. Its central challenge is learning how to communicate with visitors whose language and way of thinking are unfamiliar. The film prioritises curiosity and interpretation over a conventional alien-invasion battle, which gives it a thoughtful, distinctive tone.


Is Interstellar a good movie to watch after Project Hail Mary?


Yes, especially if you want a larger, more emotional space adventure. Interstellar follows a mission to find a future for humanity and balances cosmic scale with family relationships. It is longer and more serious than Project Hail Mary, so choose it when you are ready for an epic rather than a light, brisk watch.


Is Sunshine similar to Project Hail Mary?


Sunshine shares the high-stakes mission to protect life on Earth and the need for a crew to work through technical problems in space. Its tone becomes darker and more frightening, however, so it is a better fit for viewers who want space horror than for viewers seeking Project Hail Mary’s warmth.


Which movies here are based on real space missions?


Apollo 13 is based on NASA’s 1970 mission, when an onboard explosion forced the crew and ground teams to focus on getting the astronauts safely home. The film dramatises events for storytelling. NASA’s mission history is a useful factual companion if you want to compare the movie with the real mission.


Where can I stream these space movies in the UK?


UK availability changes by title and date. On 2 October 2026, The Martian was listed on Prime Video, Apple TV and Disney+, Interstellar on Prime Video, HBO Max and NOW TV Cinema, Gravity on HBO Max and selected services, Apollo 13 on Netflix, and Sunshine on Disney+. Use the JustWatch links in the entries to confirm the current listing for each film, including rental and purchase options.


What should I watch if I want a hopeful science-fiction movie?


The Martian is the most hopeful and accessible option in this ranking. Apollo 13 is also uplifting because it focuses on cooperation under pressure, while Project Hail Mary itself pairs a planetary-scale problem with humour and friendship. Sunshine and Ad Astra are more intense or reflective choices.


External Resources for Space-Movie Fans


For more background and film details, visit the official [NASA Apollo 13 mission page](external), [Paramount’s Arrival page](external), and the official [20th Century Studios pages for The Martian](external) and [Ad Astra](external). To check critic and audience responses, compare the title pages at IMDb, Rotten Tomatoes and Metacritic; scores and reviews may change.


More Places to Find Great Movies and TV Shows


If you are on the hunt for your next favourite film, these entertainment sites can help you discover new releases, reviews, cast information and recommendations.


ScreenRant – movie news, reviews and entertainment features.


CBR – film, television, comic-book and pop-culture coverage.


Collider – movie news, interviews, features and reviews.


IMDb – cast, crew, credits and film information.


Rotten Tomatoes – critic and audience review pages.


MovieWeb – film news, trailers and features.


Slash Film – film and television news and criticism.


ComicBookMovie – superhero and comic-book movie news.


You can also compare movie listings and reviews through Metacritic, Wikipedia, TV Guide, Entertainment Weekly, Deadline and The Hollywood Reporter.


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That Love Podcast presents: American Bollywood — Episode 5

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Format/Genre: A hilarious and heartfelt coming-of-age audio rom-com about first love, fake dating, friendship, secret crushes and discovering that sometimes the people who truly see you have been watching all along.

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Logline: With only hours to find a fake boyfriend for her double date with Miles Pires Shah, Izzy Lopez turns to Selina for help — and what begins as a ridiculous school-wide search unexpectedly reveals just how many people have been quietly noticing Izzy for years.

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Izzy Lopez has created a boyfriend who does not exist, Miles Pires Shah expects to meet him that evening, and Selina has decided there is only one reasonable solution: find a real boy willing to play the part. Her search leads to Mason Ramos and Jake Geller, two book-loving classmates who reveal that they have both secretly liked Izzy for years and are remarkably enthusiastic about competing for the position.


Selina transforms an empty classroom into a bizarre game show where Mason and Jake must prove who knows Izzy best. What begins as a ridiculous competition quickly becomes increasingly unsettling as both boys demonstrate an astonishing knowledge of Izzy’s favourite books, movies, habits and embarrassing secrets — leaving Izzy to discover that she may not have been nearly as invisible as she always believed.

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The questions become more personal until Selina asks something neither boy can answer with simple facts: what has Izzy wanted to feel more than anything since she was fourteen? Mason’s answer cuts through Izzy’s jokes and books and gets frighteningly close to the truth — she wants to know that she is enough exactly as she is, without having to perform or transform herself for somebody else.

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With the double date getting closer and Miles waiting to meet a boyfriend who was invented less than a day earlier, Izzy finally has someone willing to step into the role. But the line between pretending and genuinely caring may already be much messier than she expected, especially when her chosen fake boyfriend has feelings that are anything but fake.

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American Bollywood Episode 5 delivers romantic comedy, fake-dating chaos and surprising emotional depth as Izzy’s plan to make Miles finally see her raises an uncomfortable new question: what happens when someone else already does?

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Starring Berr Kell and Emerson Peery

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Written by Joao Nsita

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